
















Kara began her career with early roles in Channel 4’s Teachers and Sky’s hit drama Dream Team, before joining the cast of Eastenders (BBC) in 2005 as Dawn Swann. she went on to play Rose Selfridge in ITV’s Mr Selfridge and series regular Betsie in the Halcyon for Left Bank pictures/ITV.
Her recent television work includes: Archie, ITV’s four-part Cary Grant biopic, Too Good to be True opposite Allen Leech, and the second series of The Teacher, directed by Dominic Leclerc.
On film, Kara’s credits include: the Football Factory, The Sweeney alongside Ray Winstone, Last Passenger with Dougray Scott, Let’s Be Evil, and The Gallery.
Her stage work spans Absent Friends directed by Jeremy Herrin, Twelfth Night for the RSC, and The Windsors: Endgame at the Prince of Wales Theatre.
Kara will next star in the feature film Hunger Games: Sunrise on the Reaping.

Jules trained at Bretton Hall.
Theatre credits include: The Shawshank Redemption (UK Tour), It’s Her Turn Now (The Mill at Sonning), Treasure Island (Haymarket theatre), Ghost the Musical (International & UK Tour), Out of Order (UK Tour), A Land Without People (Courtyard Theatre), Aladdin (Grove Theatre), Les Liaisons Dangereuses (Questors Theatre), Romeo and Juliet (Charing Cross Theatre), A Season before the tragedy of Macbeth (Camden People’s Theatre), The Merchant of Venice (Brownsea Open Air Theatre), Look Back in Anger (Lincoln Drill Hall), Cinderella (UK Tour), Two (Edinburgh Fringe), The Seagull, End Game and Medea.
Screen Credits Include: EastEnders (BBC), Romantic Getaway (Sky Studios), Mammals (Amazon Prime), Glow & Darkness (Dreamlight), The Rook (Starz play), Let’s be Evil (Posterity Pictures), 2hrs (Makelight Productions). Jules has also appeared in multiple short films and is a keen writer and filmmaker.
Animation & Video Game: Holland (Playground Games), Star Citizen (Cloud Imperium Games), Secret Level (Amazon Studios/Unit Image).
Jules has also appeared in multiple short films and is an occasional writer and filmmaker.

Theatre includes: The Watsons (Chichester Festival Theatre), Jane Eyre (National Theatre), Losing Venice, French Without Tears (Orange Tree), Hamlet (Sheffield Crucible), Translations (Abbey Theatre, Dublin), The History Boys (National Theatre), The Woman in Black (West End), As You Desire Me (West End), The Old Country (ETT / West End), Vincent in Brixton (UK Tour), Persuasion (Salisbury Playhouse), You Can Still Make a Killing (Southwark Playhouse), Moon Tiger (Theatre Royal Bath), Jane Wenham: The Witch of Walkern (Out of Joint), Richard II (Arcola), A Hero of Our Time (Hunch Theatre), Loot (Theatre Royal York), and All’s Well That Ends Well (RSC).
Television includes: The Diplomat, MobLand, This England, McDonald & Dodds, Patriot, Casanova, Poldark, Peaky Blinders, Black Mirror, Midsomer Murders, Foyle’s War, Titanic: Blood & Steel, EastEnders, Doctors, Four Seasons, To the Ends of the Earth, and Silent Witness.
Film includes: Napoleon, Benediction, The Vanishing Time, and The Huntsman: Winter’s War.

Alex trained at Rose Bruford.
He has worked with the Globe Theatre five times to date, in productions of The Taming of the Shrew, Twelfth Night, Othello, King Lear, and a six-month tour of Much Ado About Nothing around South America and the US. He led in Straight White Men at the Southwark Playhouse to great acclaim.
Alex’s other theatre credits include: the titular character in Captain Corelli’s Mandolin at the Harold Pinter Theatre, after touring the show throughout the UK. He played John Wilkes Booth in Sondheim’s Assassins at Nottingham Playhouse and The Watermill Theatre, and Belsha in The Visit with Lesley Manville, directed by Jeremy Herrin at the National Theatre. He featured in Alice in Wonderland, The Beggar’s Opera, The Tempest, and Much Ado About Nothing at Storyhouse Chester. Recent stage credits include leading roles in Robin Hood at Regent’s Park, Jules and Jim at Jermyn Street, and Dear Martin at the Arcola.
His work on screen includes: Mr Sloane and The Borgias for HBO, Romeo & Juliet for the National Theatre/SkyTV/PBS and feature film The Son with Hugh Jackman and Laura Dern.
He will feature in a major returning series for BBC/Amazon in 2025, and leads in a new BBC YA series slated for 2026.

Theatre includes: Persephone in Hadestown (West End), Desiree in The Upstart Crow (Apollo), The Godmother in Andrew Lloyd Webber’s Cinderella (Gillian Lynne), Rachel Marron in The Bodyguard (Adelphi), Nala in The Lion King (Lyceum) and Original cast, 'Avenue Q' (Noel Coward)
Theatre: Cymbeline in ‘Cymbeline’, Guardiano in 'Women Beware Women’, Katherina in 'Taming Of The Shrew' (Shakespeare’s Globe), Anna Maria Mozart in ‘Saving Mozart’ (The Other Palace)m, Ghost of Christmas Present in 'A Christmas Carol’ (The Old Vic), Yomi in ‘Chiaroscuro' (The Bush), Celia in 'Napoli, Brooklyn' (The Park Theatre), Fates in 'Hadestown' (National Theatre), Ida Arnold in 'Brighton Rock' (National Tour), Cruella De Vil in '101 Dalmatians' (Birmingham Rep), Radio 1 in 'Caroline, Or Change' (Chichester), Francine/ Lena in 'Clybourne Park' (National Tour), Josiana in 'The Grinning Man' (Bristol Old Vic)
Television: Grace Jones in ‘Urban Myths’ (Sky Arts), Sienna/The Doctor in ‘Dating Horror Stories’ (Comedy Central), Annelli Potts in ‘Prime Target' (Apple), Sarah Collinwood in ‘Doctors’ (BBC), Dotun in 'The Window' (C4), Donna in 'Grass' (BBC), Marcia Jones in 'Bad Girls' (Shed), Joy Okotume in 'Doctors' (BBC)
Film: Jackie in 'Resurrecting the Street Walker' (Scala)

Philip has had a long and wide-ranging career across all kinds of theatre as actor, singer and musician (pianist and cellist) as well as TV and feature films, where his ability to speak German has landed him several Nazi parts, most notably in Dr Who – Let’s Kill Hitler, Johann the Cannibal in The IT Crowd, Surrendering Colonel in Band of Brothers, a Deatheater in H.P and the Goblet of Fire, Devil’s Arithmetic, Company of Heroes and Woman of Gold.
Mainstream theatre credits include: Jane Eyre for Shared Experience (World and National Tour, West End), The Children (Frankfurt), Dr Rank in A Doll’s House, Alec in Colder Than Here (Theatre By The Lake, Keswick), Dr Korczak’s Example (Manchester Royal Exchange and Arcola Theatre – nominated for best actor), Private Lives (Manchester Library), The Man Who Had All The Luck (Sheffield Crucible), The Vortex (Glasgow Citizens and Garrick), Mother Courage (Citizens), Deep Blue Sea and French Without Tears (Watford Palace), She Stoops To Conquer, Taming of The Shrew (Liverpool Everyman), Hamlet, As You Like It (Cherub Company).
Musical theatre credits include: playing Captain Smith over ten years in Titanic – The Musical (Southwark, Toronto, UK and China tours), a highly-acclaimed Scrooge in Scrooge (Pitlochry), The Smallest Show On Earth (Colchester Mercury and UK tour), Jacques Brel is Alive… (The Mac, Belfast), Parade (Southwark Playhouse), Abel Frake in State Fair (The Finborough Arms and Trafalgar Studios 2), Pirelli in Sweeney Todd (Derby Playhouse), Candide in Candide, Cavaradossi in Tosca (Liverpool Everyman), Max in Lend me a Tenor (York) and Frederick in Pirates of Penzance (Perth).

Amy is an actor based in London. She recently understudied the main roles of Elizabeth and Lydia in Conor McPherson’s The Brightening Air at The Old Vic.
Other recent theatre credits include: The Duchess (of Malfi) (Trafalgar Studios), Machinal (The Orange Tree Theatre), So Here We Are and Stiletto Beach (Queen’s Theatre Hornchurch).

Sara’s most recent theatre credits include: A Comedy of Errors (Guilford Shakespeare Company), The Cabinet Minister (Menier Chocolate Factory), The Way Old Friends Do (UK Tour & Criterion Theatre, and Sheila’s Island (UK Tour for Yvonne Arnaud Theatre). Also on tour, How the Other half Loves, Fallen Angels, Acorn Antiques the Musical, Calendar Girls-the Musical, The Constant Wife (2002 Lyric & UK tour). In the West End, Queers - One Voice: Monologues (Old Vic), Bedroom Farce (Duke of York’s), The Real Inspector Hound and Black Comedy (Comedy Theatre), Calendar Girls (Noel Coward theatre), Twelfth Night (Playhouse), Plunder (Savoy), Hay Fever (Albery theatre-Olivier nomination for best comedy performance), Private Lives (Aldwych Theatre - Olivier Award for best supporting actress, Critics Circle most promising newcomer Award & Variety Club best actress award) and also The City Madam for the RSC.
Television credits include: Midsomer Murders (ITV), Eastenders (BBC), Skins (Channel 4), Big Meg in Big Meg/Little Meg (ITV), Born and Bred (BBC), The Harry Enfield Show, The Rory Bremner Show, Alas Smith and Jones (BBC) and the Christmas ghost story Martin’s Close, by Mark Gatiss.
Film credits include: Four Weddings & A Funeral, Carry on Columbus, Scarlett (the tv sequel to Gone with the Wind) and Round Ireland with a fridge.
Books: Sara has written two novels Campari For Breakfast and Martini Henry published by Transworld, and has written for the stage: Siobhan Basset’s Hound of the Baskervilles (Yvonne Arnaud Theatre).

This is Sam's RSC debut.
Theatre includes: Witness for the Prosecution (London County Hall), Our Town (King's Head Theatre), It's All True, The Duchess of Malfi (White Bear Theatre), Silence (Old Red Lion Theatre), One Flew Over the Cuckoo's Nest (Arcola Theatre), Inherit The Wind (Old Vic Theatre), Hamlet (Theatro Technis/Theatre de Verdure, Paris), The Changeling, King Lear, Picnic, Wasted (RADA).
Television includes: Hacks, The Increasingly Poor Decisions of Todd Margaret.

Jocasta King
Jocasta trained at Mountview Academy of Theatre Arts where she was awarded the Laurence Olivier Bursary Award for drama school students across the UK by the Society of London Theatre (SOLT).
Since graduating, Jocasta’s credits have included Carla in Morgan Lloyd Malcolm’s The Wasp (The English Theatre Frankfurt), Miss Casewell in Agatha Christie’s The Mousetrap (West End), Understudy Mollie and Miss Casewell in Agatha Christie’s The Mousetrap (UK Tour), Emma in Shoot, I Didn’t Mean That and Ensemble in the first British translation and production of Krauss’ The Last Days of Mankind (both at the Tristan Bates Theatre).

Theatre credits include: Witness for the Prosecution (London County Hall), Watch on the Rhine (Donmar Warehouse), True West (Vaudeville Theatre), The Girls (Phoenix Theatre), The Curious Incident of the Dog in the Night-Time (National Theatre), Hedda Gabler (The Old Vic), Deathtrap (Noël Coward Theatre), Pygmalion (Theatre Royal, Bath), Calendar Girls (UK tour), Lettice & Lovage (UK tour), Rebecca (UK tour), The Glass Menagerie (Theatre Royal, Bath), A Passionate Woman (National tour), Fish Out of Water (Gaiety Theatre, Isle of Man), Spider's Web, Towards Zero (Grand Theatre, Leeds), Straight and Narrow, The Late Edwina Black (Lyceum Theatre, Crewe & The Grand, Wolverhampton), The Sound of Murder (Civic Theatre, Ayr), The Consul of Butterflies (Netherbow Theatre, Edinburgh).
Television credits include: Tricked (ITV Studios), The Bill (Thames Television), High Road (Scottish Television), DOG (London Quest).
Jane has recorded audio books for BBC AudioGO, HarperCollins and Isis Publishing. Her debut novel, The Start of Something Wonderful, was published by HarperCollins and inspired by her roller-coaster transition from globe-trotting cabin crew to aspiring actor. Her second novel, A Scottish Teashop in Napoli, was published in 2025. She is currently writing The Unexpected Flatmate, which shines a light on the wonderful work of the RAF Benevolent Fund.
Laura Wade is an Olivier Award winning playwright and screenwriter.
Her National Theatre play Home I’m Darling premiered at Theatr Clwyd in 2018 before playing at the National where it received rave reviews. Home I’m Darling won the award for Best New Comedy at the 2019 Olivier Awards.
In 2018 Wade wrote a bold theatrical adaptation of Jane Austen’s unfinished novel The Watsons for Chichester Festival Theatre, which subsequently played in London at the Menier Chocolate Factory.
Previous plays include an adaptation of Sarah Waters’ Tipping The Velvet at the Lyric Hammersmith and Royal Lyceum in Edinburgh, Posh at the Royal Court Theatre and transferring into the West End at the Duke of York’s Theatre, Alice, a modern adaptation of Alice in Wonderland at the Crucible Theatre, Sheffield, and KREUTZER VS KREUTZER, a play for voices originally performed by the Australian Chamber Orchestra with music by Beethoven and Janacek, on a national tour of Australia, including the Sydney Opera House.
Earlier plays include Colder Than Here and Other Hands at Soho Theatre and Breathing Corpses at the Royal Court Theatre, for which Wade won the prestigious George Devine Award.
Wade’s screenplay The Riot Club, an adaptation of her 2010 stage play Posh, premiered at Toronto International Film Festival 2014, directed by Lone Scherfig and starring Max Irons, Sam Claflin and Douglas Booth.
Laura Wade is an Executive Producer and lead writer for Rivals on Disney+, adapted from the novel by Jilly Cooper.
Tamara Harvey was appointed Co-Artistic Director of the RSC with Daniel Evans in June 2023. She was previously the Artistic Director of Theatr Clwyd (2015-2023).
Tamara was born in Botswana and grew up in Massachusetts and Brighton before graduating from the University of Bristol. She trained at the Shakespeare Theatre of New Jersey and her first professional job in theatre was as assistant director at Shakespeare’s Globe under Mark Rylance.
Her work as a freelance director has included Shakespeare, classic revivals, new writing and musical theatre, at theatres in the West End, around the UK and in the USA.
Her award-winning shows for Theatr Clwyd included Home, I’m Darling by Laura Wade (nominated for five Olivier Awards, winning Best New Comedy), Peter Gill’s version of Uncle Vanya, digital adaptations of The Picture of Dorian Gray and What A Carve Up! (both New York Times Critics’ Choice) and Isla, which she then directed for the BBC. During her tenure, Theatr Clwyd premiered over fifty new plays and musicals, many touring Wales and the UK, and was named as The Stage’s Regional Theatre of the Year in 2021.
Together with Executive Director Liam Evans-Ford, she built partnerships and co-productions across the UK, including with the National Theatre, Paines Plough, the Sherman Theatre, National Theatre of Wales, Royal Welsh College of Music and Drama, ETT, Sheffield Theatres, the NHS, Social Services, the National Trust and the BBC.
She made her RSC directing debut with Pericles in the Swan last season, which subsequently transferred to the Chicago Shakespeare Theater.
Anna Fleischle is an Olivier award–winning and Tony-nominated production set and costume designer.
Theatre includes: Punch (Young Vic, Nottingham Playhouse), What We Talk About When We Talk about Anne Frank (Marylebone Theatre), Red Speedo (Orange Tree Theatre), A Child Of Science (Bristol Old Vic), The Pillowman (West End), A Face in the Crowd, Nachtland (Young Vic), The Collaboration (Broadway, Young Vic), Death Of A Salesman (Broadway/West End), 2:22 A Ghost Story (West End/LA/Tour/Melbourne), Hangmen (Broadway/West End/Royal Court), Tony Award Nominee 2022, Winner of Olivier Award For Best Set Design, Critic’s Circle Award ‘Best Designer’, Evening Standard Award ‘Best Design’), Everybody’s Talking About Jamie (West End/ UK tour/ LA), House of Shades, The Writer, Before the Party (Almeida), The Kid Stays In The Picture (Royal Court & Complicité), A German Life, A Very Very Very Dark Matter, John Gabriel Borkman, Two Ladies (Bridge Theatre), Much Ado About Nothing, Home I’m Darling (National Theatre/ West End/UK Tour – 2019 Olivier Award Nominee For Best Set Design And Best Costume Design), Rosencrantz & Guildenstern Are Dead (Old Vic), Beware Of Pity (Schaubühne, Berlin/Complicité).
Opera includes: L'Orfeo (Vienna Staatsoper), Weimar Nightfall (LA Philharmonic/Complicite).
Dance includes: A Christmas Carol (Finnish National Opera), Message In A Bottle (International Tour), John, Can We Talk About This? (DV8 Physical Theatre/ International tour)
Fellowships include: Trustee Regent’s Park Open Air Theatre, Founding Member of Scene/Change.
Jamie is a globally acclaimed Singer, Songwriter, and Multi-instrumentalist known for hisunique blend of jazz, pop, and rock.
He first came to prominence with Twentysomething, which became one of the UK’s best-selling albums of all time. He has toured over forty countries, including festivals fromGlastonbury to Coachella to Fuji Rock in Japan. Jamie has also performed at The White House and Buckingham Palace after invitations from President Barack Obama andQueen Elizabeth II respectively.
In addition to his successful recording career (nine studio albums to date), Jamie is also a multi-award-winning Radio Presenter via his weekly show on BBC Radio 2. Jamie’s interviewees include Sir Paul McCartney, Norah Jones and Lars Ulrich, and he has introduced new talent such as Laura Mvula, Gregory Porter and Ezra Collective to his million-strong listenership.
Jamie has won the prestigious Ivor Novello Award for Best Song and has been invited back five years in a row to sit on the Mercury Music Prize judging panel. In 2025, following his successful UK tour last year, Jamie will be touring in Europe, including at festivals such as Henley and Jazzaldia in San Sebastian.
Cat is a Set and Costume Designer in theatre and performance. She graduated with an MA in
Performance Design from Bristol Old Vic Theatre School, and was named a winner of the 2021 Linbury Prize.
Recent work includes: Churchill in Moscow, Testmatch, Red Speedo (Costume Design and Associate Set) (Orange Tree); The Maids, Owners (Jermyn Street); Scarlet Sunday (Omnibus); Snail (VAULT Festival); Flies (Boundless/Shoreditch Town Hall); The Sweet Science of Bruising (Egg/Theatre Royal Bath); Romeo and Juliet (Bristol Old Vic); The Three Seagulls (Set Design) (Bristol Old Vic); Kyoto (Wardrobe); Falling in Love Again (Set Design) (King's Head).
Associate Design credits: The Time Traveller's Wife: the Musical (West End/Chester Storyhouse); A Christmas Carol (Finnish National Opera and Ballet); Much Ado About Nothing (National Theatre); Home, I'm Darling (UK tour); If You Fall (Theatre Ad Infinitum).
Awards include: The Linbury Prize for Stage Design (2021); The John Elvery Prize for Excellence in Stage Design (2021); Offie nomination for Set Design of Owners at Jermyn Street.
RSC: The Constant Wife, Pericles, The Box of Delights, Macbeth, Julius Caesar, Richard III, Much Ado About Nothing, The Whip, The Taming of the Shrew, Tamburlaine, The Duchess of Malfi, Imperium, Dido, Queen of Carthage, Love for Love, The Jew of Malta, The Rape of Lucrece, Doctor Faustus, Snow in Midsummer. Claire is currently a member of the RSC Sound department.
Trained: Claire was a professional musician and live sound engineer for eight years before she graduated from the Liverpool Institute for Performing Arts, BA (Hons) Sound Technology.
Theatre includes: Redlands, The Government Inspector (Chichester Festival Theatre), The Mistake, The Priest’s Tale (Michael Mears' Essential Theatre Company), Our Lady of Kibeho (Royal & Derngate/Theatre Royal Stratford East), Fantastic Mr Fox (Nuffield Southampton Theatres/Leicester Curve/Lyric Hammersmith/UK tour), Betty! A Sort of Musical, Happy Days, Three Sisters, Monster, Jonah and Otto, Palace of the End, Flags, Mojo Mickybo, 0.0008, PUB, Powdermonkey, London Assurance (Manchester Royal Exchange), Company Along the Mile (Milan Govedarica/West Yorkshire Playhouse). She has transferred shows to the Curitiba Theatre Festival, Edinburgh Festival Fringe and Galway Arts Festival.
Francesca is a British-Chilean Director and Theatre-Maker. She was recognised in 'The Stage 100’ in 2021 for her contributions to the industry during the pandemic, and her play The Runner was nominated for the Amnesty International Freedom of Expression Award. She is on the RSC’s Artist Development scheme, and was Resident Director at Oxford Playhouse 2016-17, and at Leeds Playhouse 2015-16. She received her MFA in Theatre Directing from Birkbeck.
Selected credits as Director: Bog Witch (Soho Theatre), The Last Taboo of Motherhood? (Fuel), Frida (Northern Opera Group), Alice in Wonderland (Theatre on Kew), Love in the Time of Corona (Jermyn Street Theatre, also as writer), La Llorona (Dance City), King Lear(Rose Bruford), Ref! (Space2), The Runner (Theatre Deli/Oxford Playhouse/Edinburgh Fringe).
As Associate Director: Hamlet Hail To The Thief, Pericles (RSC), When You Pass Over My Tomb (Arcola Theatre), Quiz, Local Hero (Chichester Festival Theatre), Blue/Orange(Royal & Derngate), Mother Courage, The Damned United (Red Ladder), 84 Charing Cross Road (Cambridge Arts), Happiness Engineers (Barbican).
Angelica is an Australian born Set and Costume Designer for live performance and film, who trained at the Royal Central School of Speech and Drama.
Theatre includes: Make it Happen (Co-Costume Design, Festival Theatre); A Child of Science (Costume Designer, Bristol Old Vic); Eclipse (Winner of the APDG Emerging Designer 2023, NICA); ONEIRIC (National Institute of Circus Arts); Cactus (Costume Designer, La Mama) and After Mrs Rochester (RCSSD).
Film includes: Lacerate (Flickerfest International Short Film Festival); Tadpoles (Internationale Winterthur Kurzfilmtagel) and SLANT (Art Director, Best Australian Film 2022 Monster Fest).
Associate Design work includes: The Maiden of Venice (Birmingham Royal Ballet), The Constant Wife (UK Tour and RSC); Punch (The Apollo); What We Talk About When We Talk About Anne Frank (Marylebone); 2:22 A Ghost Story (UK tour); A Face in the Crowd (Young Vic); A Child of Science (Bristol Old Vic); 2:22 A Ghost Story Australia (Her Majesty's Theatre), Ghost Stories Australia (Atheneum).
Annie-Lunnette Deakin-Foster is a London based Movement Director and Choreographer.
Theatre Includes: The Constant Wife (UK Tour), Housemate Returns: Limp Wrist and the Iron Fist (Brixton House), Bengal Tiger (Young Vic), Choir (Chichester Festival Theatre), Consumed (Belgrade Theatre & UK Tour), The Constant Wife (RSC), Shanghai Dolls (Kiln Theatre), Romeo and Juliet (Belgrade Theatre, Bristol Old Vic, Hackney Empire), Lavender, Hyacinth, Violet, Yew (Bush Theatre), Treasure Island (Orange Tree), Pericles (RSC & Chicago), Richard, my Richard (Shakespeare North), A Midsummer Night’s Dream (RSC & Barbican Theatre), Othello (Globe), Sleeping Beauty (Theatr Clywd), The Little Matchgirl and Happier Tales (Wise Children), Beautiful Thing (Stratford East, Leeds Playhouse, HOME Manchester), The Tempest Re Imagined (Regents Park Open Air Theatre & Unicorn Theatre), A Midsummer Night’s Dream (Globe), The Flood (Queen’s Theatre), You Bury Me (Bristol Old Vic/UK tour), Lemons, Lemons, Lemons, Lemons, Lemons (Harold Pinter Theatre), The Famous Five (Chichester Festival Theatre/Theatr Clwyd), Heart (Minetta Lane Theatre, New York), Romeo & Juliet/Little Women (Grosvenor Park Open Air Theatre), An Octoroon (Abbey Theatre), Cock (Ambassadors Theatre), Mum (Soho Theatre/Theatre Royal Plymouth), Rockets and Blue Lights (National Theatre), Robin Hood, Beauty And The Beast, The Panto That Nearly Never Was, Pavilion (Theatr Clwyd), Black Victorians (National Tour), Overflow, Chiaroscuro (The Bush), The Bee in Me, Aesop’s Fables, Grimm Tales (Unicorn Theatre), You Stupid Darkness (Southwark Playhouse), The Last Noel (Arts at the Old Fire Station/UK tour), On The Other Hand We’re Happy, Daughterhood, Dexter, Winters Detective Agency (Roundabout), Pop Music (National Tour), The Court Must Have a Queen (Hampton Court Palace), The Little Match Girl, Other Happier Tales (Shakespeare’s Globe/National Tour), The Little Prince (Omnibus Theatre)
Sarah started working in the Drama Department of BBC Radio and moved into BBC Television where, along with a colleague, she instigated the first in-house casting department before leaving and becoming a freelance Casting Director.
Theatre includes: Double Feature (Hampstead Theatre), Private Lives (Theatre Royal Bath and UK tour), Charlie and Stan (UK tour), Shakespeare’s Daughters (Gielgud Theatre), Wife (Kiln Theatre), Holy Shit (Kiln Theatre), Sleepless in Seattle (Troubadour Theatre), The Man in the White Suit (Wyndhams Theatre), Calendar Girls The Musical (West End/Tour), The Winslow Boy (Tour), Brief Encounter, The Rise And Fall Of Little Voice, Speaking In Tongues, God Of Carnage, Rainman, Equus, Heroes, Calico (West End), ART (The Old Vic/West End/Tour), Heisenberg (Wyndham’s), Elf The Musical (Dominion/Plymouth Theatre Royal/Dublin Bord Gáis/Lowry, Salford), The Miser, When We Are Married (Garrick), The Dresser, Perfect Nonsense (Duke of York’s), Girls The Musical (Phoenix), Good Canary, Bedroom Farce, Miss Julie (Rose, Kingston), Rebecca (Plymouth Theatre Royal/Tour), Once a Catholic (Tricycle Theatre/Royal Court Liverpool), The Full Monty (Noel Coward/Tour), Big (Plymouth Theatre Royal/Dublin Bord Gáis), The Bodyguard (Adelphi), Fortune’s Fool, Sweet Bird Of Youth, Hedda Gabler, Cause Célèbre (The Old Vic).
Television includes: Hustle, Crash, Holby Blue, The Chase, Messiah, The Best Man, Silent Witness, Ny-Lon, Madame Bovary, Hetty Wainthropp Investigates, Pie In The Sky, Wycliffe.
Film includes: A Bunch Of Amateurs, Morris: A Life With Bells On, Stormbreaker, As You Like It, Ladies In Lavender, Swimming Pool, Wilde.